Wednesday, November 6, 2024
Tuesday, September 3, 2024
Ozthetica - Greg Osby
Tuesday, August 27, 2024
Greg Osby Jim Hall Andrew Hill
Greg Osby Jim Hall Andrew Hill
Greg Osby - alto saxophone
Jim Hall - guitar / composer
Andrew Hill - piano
Terri Lyne Carrington - drums
Scott Colley - bass
Gary Thomas - alto flute
Monday, August 19, 2024
Geri Allen Ensemble
Kenwood Denard - drums
Kevin Bruce Harris - bass
Greg Osby - soprano saxophone
Robin Eubanks - trombone
Graham Haynes - trumpet
Jimmy Cozier - flute
Recorded and Filmed in Brooklyn, NY 1989
Thursday, August 15, 2024
Tuesday, August 13, 2024
Tuesday, April 30, 2024
Wooden Lines - featuring Osby, Arbenz, Spicher
Sunday, March 24, 2024
Greg Osby and Carlos Averhof Interview in Poland 2016
Tuesday, March 19, 2024
Ego - The OTHER silent killer.
Very recently, I was warming up in the dressing room of a performance venue in preparation for my concert. There were several other performers and groups on the bill as well. In an adjacent dressing room I heard another saxophone player suddenly go silent as I began to warm warm up while playing some very simple exercises and long tones - just to get the blood flowing, so to speak.
When I took a brief pause to change reeds, I heard (the listener) very loudly, rip some of the most incredible and complicated saxophone passages that I’ve ever heard played live. He almost sounded like a violin or viola. Of course I knew who the player was and I was very impressed, but never intimidated. I don’t function that way and I’ve never had a competitive spirit in music for the entirety of my career - nor do I understand the need for that energy. It’s pointless and quite frankly, debilitating.
After the performances had concluded, there was a casual meet and greet, photo shoot, and later, dinner and a jam session at a well known local restaurant. It was opportunity for all of the invited artists to play together since we all had played in separate ensembles during the actual shows.
……….!!!!!!!!!
I’m sorry to reveal that the player who reduced himself to aggressively showing off during the dressing room exhibition was absolutely the saddest participant during the jam session. He sounded levels beneath that of even an intermediate student. What was even worse was the idea that he STILL thought that he was killing and that he wasn’t embarrassed - not even a little bit. He didn’t have enough humility or academic aptitude to realize that for all of his technique, he didn’t know what to do or when to do it - because he’d spent all of his developmental time in isolation learning difficult patterns and exercises instead of engaging in fruitful exchanges with spirited peers. He was fantastic as long as he played alone, but with a group, his many shortcomings were on vivid display.
And to further the deep hole that he’d dug for himself, He basically rejected the invitation from myself and others to get together for some off-the-record jam sessions and music talk, which honestly, despite his facility, he sorely needed.
That was not the first time that I have had that experience. I somehow thought that it would be a distant memory as I got older and had moved away from conservatory and pedagogical thinking. I fully understand that students are vying for positioning, respect and placement in ensembles in schools. But whenever I see professionals trying to “outdo” others in actual performance situations, I question their reasoning for involving themselves in the creative arts in the first place.