tag:blogger.com,1999:blog-3766007893176963932024-03-24T16:45:09.239-04:00OzBlogGreg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.comBlogger104125tag:blogger.com,1999:blog-376600789317696393.post-47467438577757878822024-03-24T16:44:00.001-04:002024-03-24T16:44:19.995-04:00Greg Osby and Carlos Averhof Interview in Poland 2016<div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/Kn-gPScfiCA?si=zk-OvEf4otECs4Ow" width="480"></iframe> </div><div style="text-align: center;"> </div><div style="text-align: center;"> </div><div style="text-align: center;">Snippet from an interview in Warsaw, Poland, held in a beautiful Philharmonic theatre. Promoting the “Iresi” project from tenor saxophonist, Carlos Averhof. Interview conducted my Maciej Ulewicz</div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-13466705880408325022024-03-19T13:05:00.001-04:002024-03-19T17:32:37.021-04:00 Ego - The OTHER silent killer. <p><br /><br />Very recently, I was warming up in the dressing room of a performance venue in preparation for my concert. There were several other performers and groups on the bill as well. In an adjacent dressing room I heard another saxophone player suddenly go silent as I began to warm warm up while playing some very simple exercises and long tones - just to get the blood flowing, so to speak. <br /><br />When I took a brief pause to change reeds, I heard (the listener) very loudly, rip some of the most incredible and complicated saxophone passages that I’ve ever heard played live. He almost sounded like a violin or viola. Of course I knew who the player was and I was very impressed, but never intimidated. I don’t function that way and I’ve never had a competitive spirit in music for the entirety of my career - nor do I understand the need for that energy. It’s pointless and quite frankly, debilitating. <br /><br />After the performances had concluded, there was a casual meet and greet, photo shoot, and later, dinner and a jam session at a well known local restaurant. It was opportunity for all of the invited artists to play together since we all had played in separate ensembles during the actual shows. <br /><br />……….!!!!!!!!!<br /><br />I’m sorry to reveal that the player who reduced himself to aggressively showing off during the dressing room exhibition was absolutely the saddest participant during the jam session. He sounded levels beneath that of even an intermediate student. What was even worse was the idea that he STILL thought that he was killing and that he wasn’t embarrassed - not even a little bit. He didn’t have enough humility or academic aptitude to realize that for all of his technique, he didn’t know what to do or when to do it - because he’d spent all of his developmental time in isolation learning difficult patterns and exercises instead of engaging in fruitful exchanges with spirited peers. He was fantastic as long as he played alone, but with a group, his many shortcomings were on vivid display. <br /><br />And to further the deep hole that he’d dug for himself, He basically rejected the invitation from myself and others to get together for some off-the-record jam sessions and music talk, which honestly, despite his facility, he sorely needed. <br /><br />That was not the first time that I have had that experience. I somehow thought that it would be a distant memory as I got older and had moved away from conservatory and pedagogical thinking. I fully understand that students are vying for positioning, respect and placement in ensembles in schools. But whenever I see professionals trying to “outdo” others in actual performance situations, I question their reasoning for involving themselves in the creative arts in the first place. </p><p><br /><br /><br /></p>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com1tag:blogger.com,1999:blog-376600789317696393.post-14798622435420470402024-02-20T23:46:00.001-05:002024-02-20T23:46:37.676-05:00Herbie Hancock Greg Osby Buster Williams Al Foster Hamburg Fabrik<div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe frameborder="0" height="360" src="https://youtube.com/embed/mMgRNDQBcec?si=jmJbEpjWe2LyNR8X" style="background-image: url(https://i.ytimg.com/vi/mMgRNDQBcec/hqdefault.jpg);" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com1tag:blogger.com,1999:blog-376600789317696393.post-82164142379424050892024-01-01T22:10:00.000-05:002024-01-01T22:10:14.848-05:00Soundcheck Greg Osby at Stage Club, Hamburg<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/ROEXblUc344?si=VKcp7s1frPR4o4Ke" width="480"></iframe></p><p><span></span></p><a name='more'></a><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap"><span class="yt-core-attributed-string--link-inherit-color" style="color: #131313;">Greg Osby - alto saxophone </span></span><p></p><p><span><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap"><span class="yt-core-attributed-string--link-inherit-color" style="color: #131313;">Kuba Płużek - piano </span></span></span></p><p><span><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap"><span class="yt-core-attributed-string--link-inherit-color" style="color: #131313;">Max Mucha - bass </span></span></span></p><p><span><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap"><span class="yt-core-attributed-string--link-inherit-color" style="color: #131313;">Ivars Arutyunyan - drums</span></span></span></p>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-69179044044824473682023-12-21T14:44:00.000-05:002023-12-21T14:44:27.781-05:00Introduction to Minimalism - by Greg Osby<div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/6i_Mvh_2J6E?si=NdNXLXeFeFhfjbS8" width="480"></iframe></div><span><a name='more'></a></span>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-77828047690250653162023-12-06T21:09:00.000-05:002023-12-06T21:09:36.184-05:00Greg Osby 4 on BET<div style="text-align: center;"><iframe frameborder="0" height="360" src="https://youtube.com/embed/GFYKFGwL-IA?si=fmGbR2bkx9reTqXW" width="480"></iframe> Featuring: </div><div style="text-align: center;"> </div><div style="text-align: center;">Greg Osby - alto saxophone</div><div style="text-align: center;"> Jason Moran - piano</div><div style="text-align: center;">Mark Helias - bass</div><div style="text-align: center;">Eric Harland - drums</div><div style="text-align: center;"> </div><div style="text-align: center;">BET Network (1997) <br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;">Composition: "Gangsterism on Canvas", by Jason Moran<br /></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-86512434973227018372023-11-22T14:56:00.000-05:002023-11-22T14:56:00.980-05:00MINIMALISM in Nature by Francesca Sortino and Greg Osby<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/q94fG4C7E8Q?si=HK0BNcu7mPOZZFlQ" style="background-image: url(https://i.ytimg.com/vi/q94fG4C7E8Q/hqdefault.jpg);" width="480"></iframe></p><span><a name='more'></a></span><span><!--more--></span>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-34430813791375092342023-11-08T20:05:00.003-05:002023-11-08T20:05:20.218-05:00The Pace Report: "Not A Minimal Inner Circle" The Greg Osby Interview<div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/_BMZ9L1gKV4?si=SgaAksNHnYSZDVD5" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-20604798780779802972023-10-17T13:31:00.003-04:002023-10-17T13:31:36.780-04:00Dr. Jazz Talks #370: Samo Šalamon & Greg Osby interview<div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/6Y5lyzsjjSg?si=cNoJiG82at4Xx-db" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-32742364665109961852023-09-29T18:35:00.004-04:002023-09-29T18:35:51.554-04:00Greg Osby 4 at DROM NYC w/Sorrey - Brewer - Diehl<div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/1vUU5u6iask?si=iCxyegE1-xtPHVWw" style="background-image: url(https://i.ytimg.com/vi/1vUU5u6iask/hqdefault.jpg);" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-28209210502946911132023-08-26T14:06:00.000-04:002023-08-26T14:06:26.362-04:00Francisco Mela trio with Greg Osby y Petar Slavov<div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe frameborder="0" height="360" src="https://youtube.com/embed/4ZoOBrODpus?si=CgqfXTMQmtGyQB4W" style="background-image: url(https://i.ytimg.com/vi/4ZoOBrODpus/hqdefault.jpg);" width="480"></iframe> </div><div style="text-align: center;"> </div><div style="text-align: center;">At Cornelia Street Cafe, NYC<br /></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-46336337143357998522023-08-24T22:56:00.001-04:002023-08-24T22:56:17.063-04:00The Greg Osby Interview from the Jake Feinberg Show<div style="margin-left: 120px; text-align: left;"><iframe frameborder="0" height="360" src="https://youtube.com/embed/TOfeiwWBj5Q?si=1YamFaCmSVm_qrp2" style="background-image: url(https://i.ytimg.com/vi/TOfeiwWBj5Q/hqdefault.jpg);" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-84303000353678303442023-07-17T00:09:00.000-04:002023-07-17T00:09:19.354-04:00Arbenz Osby Krijger<div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/kBhQEugeu0Y" style="background-image: url(https://i.ytimg.com/vi/kBhQEugeu0Y/hqdefault.jpg);" width="480"></iframe> </div><div style="text-align: center;"> </div><div style="text-align: center;">This is a video single from Florian Arbenz's CONVERSATION #9 project entitled TARGETED featuring Greg Osby on saxophones, Florian Arbenz on drums & percussion and Arno Krijger on Hammond B3. Video by Jonas Ruppen Find out more: https://florianarbenz.bandcamp.com <br /></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-59298196986739927212023-07-15T15:44:00.000-04:002023-07-15T15:44:19.620-04:00Sir, YOU may be the problem.<p>Extraction from a review of a recent release that featured me as a guest artist. The leader of the project asked me to submit an original composition. "Crtitic's" name and publication withheld. Neither deserves the publicity. <br /></p><p> </p><p style="text-align: center;"><b>"GREG OSBY, AS HE IS KNOWN TO DO, CONTINUES TO WRITE ABSTRACTIONISM WITH ODD METERS AND UNSINGABLE MELODIES."</b><br /></p><p>Below is an excerpt from my response to the review, which I actually never sent. I frequently write them in an attempt to bring clarity to reviews and write-ups that I feel have totally missed the point, or that I feel commit a severe disservice to the music and to the institution of the artist/writer relationship. Sometimes I write these responses when I'm irritated or frustrated but invariably I never actually share them publicly because during the course of writing them, I generally lose respect for the writer themselves or I wind up feeling that trying to school someone (who will, without exception, defend their position) to be a futile pursuit. So, <b>DELETE! </b>But there's a weird catharsis that I experience from venting my frustrations in print and actually looking at them - before I realize how pointless the entire exchange is. <br /></p><p><b><< Unsingable melodies? Perhaps that’s your unconvincing excuse and dismissal for melodies that YOU exclusively can’t sing, because anyone in my immediate circle has absolutely no problem navigating any of my original works. The term "Unsingable" is an an inaccurate and unfair description of music that you personally don't care for, or are unfamiliar with it's components. </b></p><p><b>So "singable" is probably too broad of a term perhaps? "Singable,” meaning simple intervals, total diatonic melodicism, repetitive themes, quatral meters, etc...? Let's discuss this further, but offline. I've recently been having this exchange with other artists that I respect. I think our music (and mission) requires a bit more definition - as defined by US. Lately, I've noticed far too many write-ups and articles where my favorite cats have been unjustly criticized for writing what has been determined ”unsingable melodies," although I find them to be TOTALLY singable by qualified vocalists and musicians that can actually hear, and who have been trained to execute material beyond that of basic folk themes. Actually, the bigger question that should be addressed is why why some people readily and openly embrace what others openly reject. >></b></p>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-20884150338512536342023-06-13T19:05:00.001-04:002023-06-13T19:05:54.614-04:00Sam Newsome's Blogsite: Soprano Sax Talk: Why Tim "Bone" Williams Mattered<a href="https://sopranosaxtalk.blogspot.com/2023/06/why-tim-bone-williams-matte.html?spref=bl">Sam Newsome's Blogsite: Soprano Sax Talk: Why Tim "Bone" Williams Mattered</a>: The jazz world recently lost one of its most influential and ardent students of the music. Which is ironic because many have never heard o...Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-89480003851740324322023-04-12T12:43:00.000-04:002023-04-12T12:43:17.845-04:00<p> </p><p style="text-align: center;"><span style="font-size: medium;"> <span style="font-size: large;"><a href="https://33rpmpvc.blogspot.com/2023/04/die-9te-florian-arbenz-conversation-9.html" target="_blank"><b>Conversation #9</b></a></span></span></p><p style="text-align: center;"><b><span style="font-size: medium;">Florian Arbenz</span> - Drums & Percussion<br /></b></p><p style="text-align: center;"><b><span style="font-size: medium;">Greg Osby</span> - Alto & Soprano Saxophones<br /></b></p><p style="text-align: center;"><b><span style="font-size: medium;">Arno Krijger</span> - Hammond B3 Organ </b></p><p style="text-align: center;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1A6Q_GpSiYW4_8jpmkVRv3eJ6ewGkhcYgu5mkcA5FjQQQQn_FLg4kK6ofaTRKorQy_qRE6RkxFHhRK23S2iqEpH4rbEpTkgSxVm70JdmUy-jYzt2B_dujveslI0fMlqw5kDGQIGsouumVNfX0c-4qZ1KefzvzmGl6zTM1g3F88U7-3lFMNFXUn4G6/s1600/Polish_20230412_155342469.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1A6Q_GpSiYW4_8jpmkVRv3eJ6ewGkhcYgu5mkcA5FjQQQQn_FLg4kK6ofaTRKorQy_qRE6RkxFHhRK23S2iqEpH4rbEpTkgSxVm70JdmUy-jYzt2B_dujveslI0fMlqw5kDGQIGsouumVNfX0c-4qZ1KefzvzmGl6zTM1g3F88U7-3lFMNFXUn4G6/s320/Polish_20230412_155342469.jpg" width="320" /></a></div><br /> <p><br /></p><p><br /><br /></p>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-39057802884407519152023-03-12T20:06:00.000-04:002023-03-12T20:06:26.260-04:00Arbenz X Krijger / Osby "Old Shaman"<div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/xA6g_WwFeVE" style="background-image: url(https://i.ytimg.com/vi/xA6g_WwFeVE/hqdefault.jpg);" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-43012781438095626132023-01-10T19:57:00.000-05:002023-01-10T19:57:06.235-05:00Herbie Hancock Quartet Belgrade Jazz Festival 1988<div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/Sdqp7HYvzEU" style="background-image: url(https://i.ytimg.com/vi/Sdqp7HYvzEU/hqdefault.jpg);" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-14603839760140483332022-11-22T14:23:00.000-05:002022-11-22T14:23:34.266-05:00A New Approach to the Standard<p><a href=" https://jazzdesk.wordpress.com/2022/11/15/a-new-approach-to-the-standard/"> https://jazzdesk.wordpress.com/2022/11/15/a-new-approach-to-the-standard/</a></p><p> </p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWjvhUB9L5j97RJ6lcFbTAh0_z9IXpILEQPWDzsHKYi6y5TvnsrcFLhJemmPj-lvMpSjOT-KYSZJnNgYkmYVkTlhXLhT4I3XRfTd88Y7IrYLZiQeuzkVg7lPDlyH71q9BVrIG2jZEcDJjwsfeHnvi75eqfrCXqMfHfwb1gbHNPjiKfHFK93pyOHhz7VQ/s1080/ty1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWjvhUB9L5j97RJ6lcFbTAh0_z9IXpILEQPWDzsHKYi6y5TvnsrcFLhJemmPj-lvMpSjOT-KYSZJnNgYkmYVkTlhXLhT4I3XRfTd88Y7IrYLZiQeuzkVg7lPDlyH71q9BVrIG2jZEcDJjwsfeHnvi75eqfrCXqMfHfwb1gbHNPjiKfHFK93pyOHhz7VQ/s320/ty1.JPG" width="320" /></a></div><p></p><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtg0dzaMMTVNHbZjg6FrytONyJvJfOC3QtQ3iNInuqlx5Fw4pDcNLJp69Wbbow7CugMXPnwj66v9o8QzL6veuQMshwLk-iDCvdvowq--mPD_4uRohYI0Nhw4MhF47CKfmahMdXoOhSAL9RUq_xuE8zM6qSxtHO4bYGUDQlZulHJJjjSoegU4uiD8bjTg/s1440/ty2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtg0dzaMMTVNHbZjg6FrytONyJvJfOC3QtQ3iNInuqlx5Fw4pDcNLJp69Wbbow7CugMXPnwj66v9o8QzL6veuQMshwLk-iDCvdvowq--mPD_4uRohYI0Nhw4MhF47CKfmahMdXoOhSAL9RUq_xuE8zM6qSxtHO4bYGUDQlZulHJJjjSoegU4uiD8bjTg/s320/ty2.JPG" width="320" /></a></div><br /><p><br /> <br /></p>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-14910272055652858132022-07-14T20:40:00.000-04:002022-07-14T20:40:02.084-04:00Response to a Facebook post from Jeremy Pelt<p><br />Jeremy Yourpeltness Pelt<br />Yesterday at 8:51 AM · <br /><br />Thought of the day:<br />I don't know about other genres of music, but I feel as though Jazz might be the only one wherein your years of service will ultimately work against you. <br /> </p><p>Don't get me wrong, I've developed thick skin over rejection over the course of more than 30 years, but that doesn't mean that it doesn't leave me confounded. On one hand, rejection because you didn't do well numbers-wise at a club, though it sucks, is understandable to an extent. On the other hand, rejection based off the fact that my pedigree deems me too "straightahead" is often hard to swallow. Particularly, if "they" haven't checked out your discography or at the very least the latest album release. I suppose, it can (and has) worked both ways <br /> </p><p>...and THAT, my friends, is the cold hard reality of this business.<br />Some sad shit, right?<br />Now buy a book! <br /><br /></p><p><br /></p><div style="text-align: left;">Greg Osby</div><div style="text-align: left;">Today at 7:23 PM </div><p><br />Those of us that exist without the luxury of notable and reliable management or a prominent booking firm are left to endure the tedium of “proving” ourselves, once and again, each time we enter into the arena of solicitation for a performance venue. This entails sending a full press package with promotional materials, photos, press clippings as well as our current recording. And yes, name recognition, years of experience and seasoning have no bearing anymore, considering that many of the persons that are appointed to do the actual bookings have absolutely no clue of who we are or of our pedigree. Nor do many often even care. Some frequently address you as if you’re just starting out or as if they’re doing you a favor by even CONSIDERING you for a booking. </p><p>This is the reality for the majority. <br /></p>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-68809241522103108382022-05-26T13:40:00.001-04:002022-05-26T13:40:36.570-04:00Andrew Hill and Greg Osby - Friends<div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe frameborder="0" height="360" src="https://youtube.com/embed/GhPQejX2cd8" style="background-image: url(https://i.ytimg.com/vi/GhPQejX2cd8/hqdefault.jpg);" width="480"></iframe><span class="style-scope yt-formatted-string" dir="auto"> </span></div><div style="text-align: center;"><span class="style-scope yt-formatted-string" dir="auto"> </span></div><div style="text-align: center;"><span class="style-scope yt-formatted-string" dir="auto">From "The Late Show" for the BBC. The song is called "Friends" (featured on "But Not Farewell")
Blue Note – CDP 7 94971 2. Filmed in London in 1991 or 1992</span></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-61773845312800703892022-02-07T01:34:00.001-05:002022-02-07T01:34:35.999-05:00Jack Dejohnette's Special Edition in Montreal<div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe frameborder="0" height="360" src="https://youtube.com/embed/GJIjDEoltrQ" style="background-image: url(https://i.ytimg.com/vi/GJIjDEoltrQ/hqdefault.jpg);" width="480"></iframe> </div><div style="text-align: center;"> </div><div style="text-align: center;">Jack Dejohnette's Special Edition in Montreal 1988 </div><div style="text-align: center;"> </div><div style="text-align: center;">Featuring: Jack
DeJohnette - drums & keyboards, Greg Osby - alto & soprano
saxophone, Gary Thomas - tenor saxophone & flute, Mick Goodrick -
guitar, Lonnie Plaxico - bass, Nana Vasconcelos - percussion &
vocals </div><div style="text-align: center;"> </div><div style="text-align: center;">Click here ↓ to find me everywhere!
<a href="http://www.flow.page/gregosby">www.flow.page/gregosby</a></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-16066229678800549742022-01-10T10:58:00.000-05:002022-01-10T10:58:07.128-05:00Greg Osby 4 @The Green Mill in Chicago<div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/G2bDVRl3OGA" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-79798697423361114332021-11-12T21:36:00.000-05:002021-11-12T21:36:00.636-05:00Sade Mangiaracina Trio featuring Greg Osby at Alexanderplatz Jazz Club R...<div style="text-align: center;"><iframe frameborder="0" height="270" src="https://youtube.com/embed/peX3nX2LCIY" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0tag:blogger.com,1999:blog-376600789317696393.post-3147826684306087542021-10-21T22:19:00.000-04:002021-10-21T22:19:28.021-04:00Greg Osby Triplets Demonstration (exerpt)<div style="text-align: center;"><iframe frameborder="0" height="360" src="https://youtube.com/embed/ELyK8kS5bII" style="background-image: url(https://i.ytimg.com/vi/ELyK8kS5bII/hqdefault.jpg);" width="480"></iframe></div>Greg Osbyhttp://www.blogger.com/profile/17076414648979910930noreply@blogger.com0